Exhibition architecture and spatial concept for the first solo exhibition of Swedish artist Åsa Jungnelius in Turkey, curated by Elif Kamışlı. The exhibition brings together Jungnelius’s glass and marble sculptures — including four new works produced with glassworkers in Denizli — alongside historical glass objects, handwoven cords, and Peo Olsson’s photographs of obsidian fields in Eastern Anatolia. The spatial concept is conceived as a landscape oscillating between stillness and density, in which a scaffold structure built into the gallery acts as both display armature and conceptual framework.
